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Perverse Midrash

Paperback|Feb 2005
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$72.59

Oscar Wilde's Salome and Andre Gide's Saul have been considered critically in the traditional contexts of authorial oeuvre, biography, or 'thought'. These plays have been treated with embarrassed respect, dealt with only because of the importance of their authors. That...


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Oscar Wilde's Salome and Andre Gide's Saul have been considered critically in the traditional contexts of authorial oeuvre, biography, or 'thought'. These plays have been treated with embarrassed respect, dealt with only because of the importance of their authors. That Wilde and Gide made use of biblical material seems to discomfit their critics; that they had done so at a time when biblical drama was prohibited has rarely been addressed. Traditional critical treatments seek to smooth over the plays' aberrant qualities. This study takes them seriously as aberrations and investigates Wilde's and Gide's claims that these plays are works of faith, by considering them as participating in the history of biblical drama.
-Publisher

Downey uses Oscar Wilde's Salome and Andre Gide's Saul to discuss censorship of biblical drama from the sixteenth century through the nineteenth century.>
-Publisher

PRODUCT DETAIL

Katherine Brown Downey

Downey is Assistant Professor of Literature and Translation in the School of Arts & Humanities at the University of Texas at Dallas.

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