The Great Divorce
C.S. Lewis' dazzling afterlife fantasy is one of his most compelling tales. The title is a reference to William Blake's work "The Marriage of Heaven and Hell", in which the visionary poet depicted the necessary and ultimate reconciliation of Good...
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C.S. Lewis' dazzling afterlife fantasy is one of his most compelling tales. The title is a reference to William Blake's work "The Marriage of Heaven and Hell", in which the visionary poet depicted the necessary and ultimate reconciliation of Good (limiting order) and Evil (exuberant dynamism). Contra Blake, Lewis asserts that an enduring chasm - the Divorce - prevails between these cosmic polarities. The anonymous narrator begins in Hell, which resembles our own world in its sinister banality, and catches an outward bound bus along with a motley collection of fellow passengers. Their encounters with the inhabitants of a gorgeously tangible Heaven demonstrate that those who remain in Hell choose to do so, while the way to God - "further up and further in" - is always open to those who would take it, no matter how wretched their condition. THE GREAT DIVORCE remains in the mind like a vivid dream - whimsical, wry, yet profoundly serious. At a time when books about "real life" visits to Heaven (and Hell!) contend for the reader's attention, Lewis' engaging vision of our eternal abode stands out as a wonderful example of fictive imagery used in the service of greater truths.128 pages, from Harper Collins.
C.S. Lewis's dazzling allegory about heaven and hell and the chasm fixed between them, is one of his most brilliantly imaginative tales, as he takes issue with the ideas in William Blakes's The Marriage of Heaven and Hell. In a dream, the narrator finds himself in the grey limbo of Hell, where the disgruntled and ghostly inhabitants take a bus-ride to the plains of Heaven, where they meet angels and the souls of those already in Heaven. This striking fable portrays Hell as small and shrunken, less substantial than Heaven, which is bright and solid and the ultimate Reality. The occupants of Hell can never become part of Heaven, for their spiritual blindness prevents them from entering into its glorious reality. They prefer their own shrunken version of reality, to the joy which could be theirs. This powerful, exquisitely written fantasy is one of C.S. Lewis's most enduring works of fiction. As ever, Lewis communicates deep spiritual truths through the sheer power of the fantastic.
C S Lewis (1898 -1963) was one of the intellectual giants of the 20th century and arguably the most influential Christian writer of his day. This Irish-born Oxford and Cambridge academic wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular writings include his seven-part fantasy series for children The Chronicles of Narnia (1956); the science fiction Space Trilogy (1938-1945); the apologetical The Problem of Pain (1940), The Screwtape Letters (1942), Miracles (1947), Mere Christianity (1952), and The Four Loves (1960); and the autobiographical Surprised by Joy (1955) and A Grief Observed (1961). Countless Christian writers, pastors, thinkers and artists have credited C S Lewis as a key influence on their faith journey, and his Narnia books have become classics of children's literature.
Clive Staples Lewis was born in Belfast, Ireland on 29 November 1898, the son of Albert James Lewis, a solicitor of Welsh ancestry. Lewis became known as 'Jack' as a young child after he adopted the name of his pet dog who was killed by a car. His mother Flora was the daughter of an Anglican priest, and died when Lewis was just ten. Lewis had one brother, Warren - known affectionately as Warnie - who was three years his senior. The two would remain close friends and creative collaborators throughout Lewis' life. When children, they shared a fascination with humanised animal characters like Beatrix Potter's, and wrote and illustrated stories of an imaginary world they called 'Boxen', run entirely by such fanciful beings.
Lewis' childhood home was full of books, and he became a keen and intrepid reader at an early age. Until his mother's death, Lewis was educated by private tutors, then moved on to a series of boarding schools in both Ireland and England. It was during his time at the last of these, aged 15, that Lewis gave up his childhood Christian faith and became an atheist. It was also at this time that he developed an intense love for ancient Norse legends and the natural world - an aesthetic complex which he called 'Northernness' and associated with the mysterious inner longing of 'joy'. Under the influence of his tutor William Kirkpatrick, Lewis would go on to a deep involvement with ancient Greek literature. Lewis' academic acumen won him a scholarship at Oxford in 1916, but shortly afterward his studies were interrupted by military service in World War I. Lewis was commissioned as a lieutenant in a light infantry regiment and sent to the Western Front in France, where he experienced the horrors of trench warfare, and was wounded by what would now be called 'friendly fire'.
After the war, Lewis resumed his studies at Oxford, and in the years between 1920 and 1923 received firsts in Greek and Latin literature, philosophy, and English. By 1925 he was a Fellow and Tutor in English Literature at Magdalen College, Oxford - a position he would hold for nearly three decades. In 1954, Lewis transferred to Cambridge, where he had been awarded professorship in the new chair of Mediaeval and Renaissance Literature.
In the late 1920s, Lewis' circle of literary friends at Oxford coalesced into a discussion group known as The Inklings, which would meet regularly over about two decades. Members shared an enthusiasm for narrative tales, myths, legends - particularly Norse, Celtic, folkloric and mediaeval material - and fantasy fiction. They would read aloud their own works-in-progress and receive suggestions and criticism from their fellows. Members included J R R Tolkien, Hugo Dyson, Owen Barfield, Charles Williams, and Warnie Lewis. Tolkien's The Lord of the Rings and Lewis' science fiction novel Out of the Silent Planet were among the material workshopped with The Inklings.
His friend Tolkien's devout Catholic faith decisively influenced Lewis' return to Christianity between 1929 and 1931. The way was prepared also by Lewis' love for the fantastical fiction of Scottish writer and Congregational pastor George MacDonald (1824-1905), as well as G K Chesterton's apologetic work The Everlasting Man (1925). Lewis famously described himself as a stubbornly difficult convert in his spiritual autobiography Surprised By Joy (1955):
"In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England."
As a Christian, Lewis maintained a commitment to the Anglican communion in which he was raised, though he tried to downplay sectarian differences in his apologetic writings, extolling instead the perennial essence of orthodox belief. It was the latter which Lewis presented in his popular work Mere Christianity, adapted from a series of radio talks he made for the BBC from 1942 to 1944, and which has become one of the most influential Christian books of modern times. Lewis' theology was basically Anglican, with an ecumenical breadth shaped by the formative influences of Tolkien's and Chesterton's Catholicism, and the Christian universalism of MacDonald.
Lewis married relatively late in his life at age 57, in unusual circumstances. He had befriended Joy Davidman Gresham - an American intellectual of Jewish background, and a convert, like Lewis, from atheism to Christianity. Joy was trying to remain in the UK with her two sons, having escaped an abusive marriage, and Lewis kindly agreed to a civil union to enable her to stay. Shortly afterward, Joy was diagnosed with terminal bone cancer. What had begun as a marriage of convenience between friends became much deeper, and Lewis and Joy obtained a full Christian marriage in 1957. As it turned out, Joy was the love of Lewis' life, and when she died after three years of remission, Lewis experienced a shattering grief from which he never really emerged. Lewis related his profound loss in A Grief Observed, which he published under a pseudonym. The story of Lewis' and Joy's love became the subject of the film and stageplay Shadowlands.
Lewis died of renal failure in 1963, less than an hour before the assassination of John F Kennedy. Lewis is buried at Holy Trinity Church, Headington, the Oxford parish church with which he and his brother Warnie were actively involved from 1930.